Training Horses the Ingrid Klimke Way by Ingrid Klimke
c 2016 Trafalgar Square Publishing, North Pomfret, VT. 163 pages.
If you have read any of my previous reviews of Klimke’s work (including her updates and revisions to her father’s original texts), it is no secret that I am an uber fan-girl of Ms. Klimke and really idolize the focus, talent, compassion and effectiveness she brings to her horsemanship. The fact that she also is a mother and wife, writes books and articles and seems to sometimes to also take vacations only adds to her superwoman status. So it is with the utmost respect and honor that I say that this particular book was not my favorite out of all of the Klimke collection.
That is not to say that it is a bad book. It just feels rather…unfocused. In less than two hundred pages, readers get an overview of her principles for training, a snap shot of each phase of work (broken down by warm up, each gait, cool down, cavalettis, etc.) and then offers a brief profile of each of her ten competition horses, revealing their specific training protocols based on their strengths, weaknesses and personalities. We also cover her mentors, support team, and preferred tack. It is a lot of content, and a broad range to cover, and I guess based on the title that is what the reader should be expecting.
The problem I had is that, after having read her other books, this one just seems to gloss over the most important concepts. I guess it isn’t possible to take the deep dive into a particular facet of training that we do when the whole book is dedicated to that particular topic; in Cavaletti, for example, Klimke is able to break down the steps to introduce cavaletti to a horse, and then details the systematic increase in demands which one can place on the horse through the use of ever evolving cavaletti and gymnastic exercises.
With all that being said—for someone who is looking for more of an overview to Klimke’s system, this book will certainly grant you that. It is wonderfully illustrated—the woman seems incapable of taking a bad picture—and each photo shows a joyful horse, well presented. Klimke’s tone is one of modesty and humbleness; she is always a student of the horse. Klimke, who was awarded the title of Riding Master by the German Equestrian Federation in 2012, says that to do justice to this status, “I train further, question myself, consider the views of others, and remain open to all riding styles. Anyone who cares to be a good rider must first of all work on herself: on her inner bearing, her general attitude toward horses, her physical readiness (of course), and on giving aids clearly and “with feel” for the horse” (Klimke, 2016, p xiii). In my opinion, this is an attitude which more American trainers would be wise to embrace.
As always, I still took away pearls from Klimke. For example, Klimke’s horses are all turned out every day, sometimes in groups—even her top mounts. It is an important part of their program to maintain their mental and physical health. “To me, it seems obvious that performance horses should be kept in the way that is most appropriate to their species. This means, they get to move freely every day, whether in a paddock or out at pasture. They need social contact or their herd, in order for them to feel safe and well….In my experience, horses that are turned out regularly rarely hurt themselves” (Klimke, 2016, p. 30-31).
Each chapter heading begins with a summary which is excellent in its brevity and clarity; it is like a little nugget which you could read before you ride just to keep your focus sharp, or pin to your computer to meditate on when taking a break from work. For example, in her chapter on “The Warm-Up Phase”, Klimke writes, “Take enough time to warm up and come together with your partner. This goes for horses of any age and is important both physically and mentally” (Klimke, 2016, p.56).
One of the other aspects of this book with I appreciated was the credit which Klimke gives to her own mentors and coaches, all of whom she considers part of her team and a critical key to her success, as well as her grooms, stable managers and equine health support team. She expresses gratitude to and offers credit to her horses’ owners for remaining steadfast through the inevitable ups and downs of the training process, and also acknowledges the support of her family. No one can reach the kinds of lofty aspirations which Klimke does without such a network, and it was quite refreshing to get a glimpse into that world for this rider.
So if you are interested in sweeping overview of Klimke’s approach to developing her horses, this book would be a great place to start. I know that some sections of the book are already out of date (for example, in 2017, Klimke retired one of her rising stars, SAP Escada FRH, due to injury; she describes Escada in the book as “absolutely the best horse I have had under saddle to date” (Klimke, 2016, p. 121)), but for most readers, these factors will do little to detract from the rest of the content.